Like I want to close my eyes and sleep past the end of time right now, that’s how Macy felt, at the point where my story of her begins.
To see her then would have been like watching one of those dinner scenes they put in movies.
Directors think these scenes work, just because we all eat. They mix in some words and grins, some shallow viewpoints switching back and forth, some pauses, raisings of eyebrows, chewing (especially in English movies), and maybe a choking on liquid. Maybe, too, a face surreptitiously watching another player. They are non-action scenes.
That’s what it seemed like with Macy. Here’s how her story played out that day:
Macy fell onto her bed. She curled into a C.
On the table, she’d put a bowl containing a handful of plums. Both bowl and fruits were plum-colored. The fruits were gold-speckled, too. Macy was going to bite one later. It would be yellow and juicy inside.
After dozing a little, Macy reached backward, feeling around for the bowl. It was heavy. She pulled the O of the bowl into her C. The bowl felt cool. If you had been watching, you’d have thought she slept, then.
You’d have missed the bite she took. Too tired to chew, she swallowed a small chunk of flesh whole. Juice stained a corner of her mouth and dripped sugar into the shadows of her fatigued mind.
You’d have missed the hunter who rose from that golden bite to hover over Macy.
An unjessed gyrefalcon on her shoulder, the hunter had a bow in hand, and a quiver of arrows, fletched by herself with kingfisher feathers, bound to her cantle. The hunter’s toes touched Macy and took sustenance from her.
The hunter rose like a miracle out of Macy’s dream, and stepped forward to search for water. She would have been utterly delighted to find a table already set with a carafe and two silver mugs, and, nearby, some fruit.
But when she stepped forward, she lifted her feet over the sweet-sour gold-speckled plums nestled in the bowl around which Macy had curled, and strode away.